Telling fairytales with classical music | Music | DW | 02.06.2021
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Festival Concerts

Telling fairytales with classical music

Last summer, the musicians of the festival called Tensions performed in Berlin in a so-called "ghost concert" for an audience of – no one. This hour, they're playing for you. 

Listen to audio 54:59

Concert Hour: Tensions Revisited, part one

Your ticket to the German classical music festival scene: Concert Hour has the picks of the season — two hours of music updated regularly. Along with host Rick Fulker, the musicians themselves are on hand to give their insights into the events and the music.

Listen to audio 54:59

Concert Hour : Tensions Revisited, part two

Tensions revisited, part one  

Janacek's Pohadka is a light, playful musical fairy tale in which the protagonists get into complicated situations and are released from them through the intervention of a magical being. The protagonist is a noble and dashing prince who falls in love with a beautiful princess. But there's a hitch: Her father is the fearsome king of the underworld.   

Bela Bartok strikes a dryer, wilder tone in his second violin sonata, described by violinist Christian Tetzlaff as "a fantasy land with completely absurd apparitions, both tender and brutal." 

Then there's the Beethoven. Grand gestures, sweeping emotions: Chamber music never sounded so big before the Violin Sonata No. 7 of 1802, coming from what music historians call the beginning of the composer's "heroic" phase. In it, says violinist Antje Weithaas, "You clearly feel Beethoven's agitation, disruption and desperation. But as in all of his pieces, there are transcendental moments too." 

Leos Janacek   

Pohadka (Fairy Tale), three pieces for cello and piano 

A black and white photograph of Hungarian composer Bela Bartok

Hungarian composer Bela Bartok (1881-1945)

 

Ludwig van Beethoven  

Sonata in C Minor for violin and piano, op. 30, No. 2   

 

Bela Bartok   

Sonata No. 2 for violin and piano, 1st movement   

   

Performed by: 

Antje Weithaas, violin 

Christian Tetzlaff, violin 

Gustav Rivinius, cello  

Lars Vogt, piano   

Recorded by Radio Deutschlandfunk Kultur, Berlin (DLF) in the Church of Jesus Christ, Berlin, on June 22, 2020 

Rebroadcasting rights: one broadcast after February 7, 2022 

A still from a concert showing a man against a cloud of smoke

A still from "The Sly Fox," one of Janacek's later works

Tensions revisited, part two  

More music chamber from the festival called Tensions: a violin sonata by Bartok and the Clarinet Quintet by Brahms. 

 A music critic once described Bartok's violin sonata as "a Hungarian fortress of sound, only to be breached by violin virtuosos." Christian Tetzlaff, certainly a violin virtuoso says, "Playing it is like walking a tightrope."  

Brahms' clarinet quintet comes from a time in his life when he'd basically wrapped up his composing career. In it, the clarinet seems to sing, sometimes even to scream. Is Brahms saying goodbye to life itself here? Clarinetist Sharon Kam explains, "You hear that heartbeat at the end. It stops repeatedly. This piece truly does reach an end - at the end, and after a very long journey filled with emotions and with much joy. This is like saying goodbye to a beautiful life."  

 

Bela Bartok   

Sonata No. 2 for violin and piano, 2nd movement (excerpt) 

 

A drawing by Willy von Beckerath of the composer Johannes Brahms

Johannes Brahms at the Piano

Johannes Brahms   

Quintet in B Minor for clarinet and string quartet, op. 115  

 

Performed by: 

Christian Tetzlaff, violin 

Lars Vogt, piano  

Sharon Kam, clarinet 

Isabelle Faust, violin 

Vilde Frang, violin 

Barbara Buntrock, viola  

Julian Steckel, cello 

Recorded by Radio Deutschlandfunk Kultur, Berlin (DLF) in the Church of Jesus Christ, Berlin, on June 22, 2020  

Rebroadcasting rights: one broadcast after February 7, 2022

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